My primary goal as a theater reviewer is to write an honest critique of a play that promotes interest in the production and/or theater company, and prompts conversation about the play's core themes. My approach is respectful, compassionate, and constructive. I try to be insightful and look for nuance. I do not believe in tearing down artists. I see theater critics as a bridge between artists and their potential audience. I want to encourage engagement between theater makers and theater goers. I want you to love theater as much as I do.
I have been reviewing plays for the Theater Mirror since 2019. Below is a catalog of those reviews. You may also find my reviews on Instagram: @ReviewsByJulie
SpeakEasy’s The Antiquities Warns of the Future Dangers of A.I.
Jordan Harrison’s play asks us to consider: what makes us human? How do we maintain our humanity in such a rapidly changing and increasingly violent world? How has technology changed us? And in creating that technology, have we unknowingly manufactured our own destruction?
‘The Inheritance’ is a Beautifully Realized Production of an Ambitious & Imperfect Play
The play’s title refers to the many traits and experiences that our LGBTQ+ elders have passed on to successive generations. The story is as much about the inheritance of love, culture, and resilience as it is about inheriting the weight of shame, trauma, and oppression.
Speakeasy’s ‘The Children’ Asks the Hard Questions
What are we willing to give up to help others in need? What is our responsibility to future generations? …How do we – as Rose puts it – “learn to live with less”?
SpeakEasy’s ‘Admissions’ Intends to Make You Uncomfortable
Boston University student Nathan Malin, gives a commanding, stand-out performance as Charlie who spends the bulk of the play grappling with questions about privilege, fairness, fact versus opinion, and who “deserves” what and why.