Hang Time forces you to bear witness, to lean in, to confront. It is a reckoning and a powerful call to action. It demands that you think about the lives these Black men deserved but didn’t get to have.

What Kissajukian didn’t know at the time was that he had been living with bipolar disorder, and he was about to enter into a brutal six-month manic episode that would completely sever him from reality. 

The experience unfolds primarily through monologue, music, and movement as you are led on a wild, unrestrained journey that is “part lyrical sermon, part political exorcism.” 

Common Ground, Revisited offers a sharp, clear-eyed perspective of a challenging part of Boston’s history and in doing so gives insight into the city’s present problems.

The play’s title refers to the many traits and experiences that our LGBTQ+ elders have passed on to successive generations. The story is as much about the inheritance of love, culture, and resilience as it is about inheriting the weight of shame, trauma, and oppression.

Our Daughters, Like Pillars is a story about complex family dynamics and the struggle to break free from the roles we are forced into playing within the family unit. Kirsten Greenidge’s new play focuses on a Black family at the center of which are three sisters doing what they can (or must) to hold themselves and each other together. 

Set on a ship that travels through time, Witness explores the seemingly endless migratory experiences of Jewish people throughout history.

What are we willing to give up to help others in need? What is our responsibility to future generations? …How do we – as Rose puts it – “learn to live with less”?

Ibragimov’s staging is inventive, lively, and joyful. He makes the puppets fly, he makes them dance, he makes them cry, he makes them real.