My primary goal as a theater reviewer is to write an honest critique of a play that promotes interest in the production and/or theater company, and prompts conversation about the play's core themes. My approach is respectful, compassionate, and constructive. I try to be insightful and look for nuance. I do not believe in tearing down artists. I see theater critics as a bridge between artists and their potential audience. I want to encourage engagement between theater makers and theater goers. I want you to love theater as much as I do.

I have been reviewing plays for the Theater Mirror since 2019. Below is a catalog of those reviews. You may also find my reviews on Instagram: @ReviewsByJulie

Julie-Anne Whitney 2/9/26 Julie-Anne Whitney 2/9/26

ASP Brings modern ‘little women’ to watertown

Hamill’s script does take some liberties with the original text– especially in her choice of ending.

Julie-Anne Whitney 1/27/20 Julie-Anne Whitney 1/27/20

‘Bright Half Life’ Shines A Light on Queer Love

Director Megan Sandberg-Zakian manages the lightning-fast scene changes with the finesse of a world-class choreographer. Her dance-like staging is beautiful to watch; every turn into another time and every step into another place is done with intention, emotion, and clarity.

Julie-Anne Whitney 10/8/19 Julie-Anne Whitney 10/8/19

ASP’s Stripped Down ‘King Lear’ Yields Mixed Results

Jeff Adelberg’s expressive lighting design created an atmosphere of mystery and intrigue, skillfully enhancing Jon Savage’s set design which suggested a world in disarray and disrepair.