Hamill’s script does take some liberties with the original text– especially in her choice of ending.

The play’s title refers to the many traits and experiences that our LGBTQ+ elders have passed on to successive generations. The story is as much about the inheritance of love, culture, and resilience as it is about inheriting the weight of shame, trauma, and oppression.

Director Megan Sandberg-Zakian manages the lightning-fast scene changes with the finesse of a world-class choreographer. Her dance-like staging is beautiful to watch; every turn into another time and every step into another place is done with intention, emotion, and clarity.

It takes an actor of Karen MacDonald’s caliber to add complexity and depth to an often insufferable protagonist. MacDonald’s performance is filled with such warmth, humor, and tenderness that you cannot help but sympathize with Della’s internal struggle.

With the help of librettist Greg Pierce, Spears’ intuitive storytelling continues with Fuller’s Act II solo, “Our Very Own Home,” which starts with a single, repeated melody on the piano, emphasizing Fuller’s new lonely state, having cast off his friends and betrayed the man he loves.