My primary goal as a theater reviewer is to write an honest critique of a play that promotes interest in the production and/or theater company, and prompts conversation about the play's core themes. My approach is respectful, compassionate, and constructive. I try to be insightful and look for nuance. I do not believe in tearing down artists. I see theater critics as a bridge between artists and their potential audience. I want to encourage engagement between theater makers and theater goers. I want you to love theater as much as I do.
I have been reviewing plays for the Theater Mirror since 2019. Below is a catalog of those reviews. You may also find my reviews on Instagram: @ReviewsByJulie
ASP Brings modern ‘little women’ to watertown
Hamill’s script does take some liberties with the original text– especially in her choice of ending.
‘The Inheritance’ is a Beautifully Realized Production of an Ambitious & Imperfect Play
The play’s title refers to the many traits and experiences that our LGBTQ+ elders have passed on to successive generations. The story is as much about the inheritance of love, culture, and resilience as it is about inheriting the weight of shame, trauma, and oppression.
‘Bright Half Life’ Shines A Light on Queer Love
Director Megan Sandberg-Zakian manages the lightning-fast scene changes with the finesse of a world-class choreographer. Her dance-like staging is beautiful to watch; every turn into another time and every step into another place is done with intention, emotion, and clarity.
Lyric Stage Serves Delicious Fare With ‘The Cake’
It takes an actor of Karen MacDonald’s caliber to add complexity and depth to an often insufferable protagonist. MacDonald’s performance is filled with such warmth, humor, and tenderness that you cannot help but sympathize with Della’s internal struggle.
BLO’s ‘Fellow Travelers’ is An Opera For Today
With the help of librettist Greg Pierce, Spears’ intuitive storytelling continues with Fuller’s Act II solo, “Our Very Own Home,” which starts with a single, repeated melody on the piano, emphasizing Fuller’s new lonely state, having cast off his friends and betrayed the man he loves.